The series Daily Discontinuity Journal presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations – reactions to current events combined with intimate experiences of a multitude of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of different social phenomena permeated by personal perception. The striking fragmentarity refers to snippets of days, frozen frames that have left the strongest impression over a certain period of time, and which are combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or nullified time should signify the individual's position in the current dimension of time-space and a highly complex social and political moment. A sense of powerlessness and despair intertwines with unfulfilled plans, thus individual efforts are nullified or, at best, put on hold.

In the collages, architecture predominates as a motif, along with the deconstruction of real spaces, parts of impersonal and sterile interiors, and structures of city maps, as a commentary on the current tendency to transform urban space into a new, hybrid version of the città ideale, although it is far away and in motives quite contrary to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and curator of the project jointly express an awareness of the necessity of critical thinking and active participation in current social changes.