The Diary of Discontinuity series presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations - reactions to current events combined with intimate experiences of a multitude of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of different social phenomena intertwined with personal perception. The striking fragmentation refers to snippets of days, frozen frames that have left the strongest impression during a certain time period, combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or nullified time should mark an individual's position in the current time-space dimension and a very complex social and political moment. A sense of helplessness and despair intertwines with plans that have not been realized, thus individual efforts are nullified or at best put on hold.

Architecture predominates as a motif in the collages, along with the deconstruction of real spaces, parts of impersonal and sterile interiors, and structures of city maps, as a commentary on the current tendency to transform urban space into a new, hybrid version of the ideal city, distant and in motives completely opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and curator of the project together express the consciousness of the necessity for critical thinking and active participation in current social changes.