The series Diary of Discontinuity presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations – reactions to current events combined with intimate experiences of a multitude of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of various social phenomena imbued with personal perception. The striking fragmentation refers to slices of days, frozen frames that have left the strongest impression over a certain period, combined with a specific psychogeographical reflection on those moments.

Discontinuity, suspended or annulled time, should mark the individual's position in the current dimension of time-space and a very complex social and political moment. The sense of powerlessness and hopelessness intertwines with plans that have not been realized, hence individual efforts are nullified or, at best, put on hold.

Architectural motifs predominate in collages, with deconstruction of real spaces, parts of impersonal and sterile interiors, and structures of city maps, as a commentary on the current tendency to transform urban space into some new, hybrid version of the ideal city, even though distant and in motives quite opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and project curator together express awareness of the necessity of critical thinking and active participation in current social changes.