The series Diary of Discontinuity presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations - reactions to current events combined with intimate experiences of a multitude of external sensations. It is envisioned as a daily discipline aimed at creating continuity in analyzing different social phenomena intertwined with personal perception. The striking fragmentarity refers to snippets of days, frozen frames that left the strongest impression over a certain period of time, combined with a specific psychogeographical reflection on those moments.

Discontinuity, suspended or nullified time should mark the individual's position in the current time-space dimension and very complex social and political moment. The sense of powerlessness and despair intertwines with plans that have not been realized, therefore individual efforts are either nullified or, at best, put on hold.

Architectural motifs dominate the collages, with deconstruction of real spaces, parts of impersonal and sterile interiors, and structures of city maps as a commentary on the current tendency to transform urban space into a new, hybrid version of città ideale, although distant and in motives quite opposite from the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and curator of the project express awareness of the necessity for critical thinking and active participation in current social changes.