The Diary of Discontinuity series presents multi-year daily notes in the form of classical and digital collages, video works, and glitch/gif animations - reactions to current events combined with intimate experiences of various external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of different social phenomena intertwined with personal perception. The striking fragmentation refers to snippets of days, frozen frames that have left the strongest impression within a certain time period, and which are combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or annulled time, should mark the individual's position in the current time-space dimension and a very complex social and political moment. The feeling of powerlessness and despair intertwines with plans that have not been realized, thereby individual efforts are nullified or, at best, put on hold.

In the collages, architecture predominates as a motif, as well as the deconstruction of real spaces, parts of faceless and sterile interiors, and structures of urban maps, as a comment on the current trend to transform urban space into a new, hybrid version of città ideale, although distant and in motifs quite opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance through which the artist and curator of the project jointly express the awareness of the necessity of critical reflection and active participation in current social changes.