The series Journal of Discontinuity presents multi-year daily notes in the form of classical and digital collages, video works, and glitch/gif animations – reactions to current events combined with intimate experiences of a multitude of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of various social phenomena intertwined with personal perception. The striking fragmentation refers to snippets of days, frozen frames that have left the strongest impression in a certain period of time, combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or annulled time should mark the individual's position in the current time-space dimension and the very complex social and political moment. A sense of powerlessness and despair intertwines with plans that have not been realized, thus individual efforts are nullified or, at best, put on hold.

Architecture, deconstruction of real spaces, parts of faceless and sterile interiors, and urban map structures predominate as motifs in the collages, as a commentary on the current tendency to transform urban space into a new, hybrid version of the ideal city, despite being far away and in motifs completely opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and curator of the project together express awareness of the necessity of critical thinking and active participation in current social changes.