Mogard's self-portrait of calm, contemplative inner landscapes, drawn from archival sketches and a chance discovery of his late uncle’s 78rpm classical and opera records. Performing this work for the first time in Berlin, ‘Quiet Pieces’ blurs Mogard’s memories with those of another. Liminal and immersive, moving between consonance and dissonance, evoking weathered grandeur and the tactile timbral frisson long considered Mogard’s hallmark.