The Diary of Discontinuity series presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations – reactions to current events combined with intimate experiences of a multitude of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of various social phenomena intertwined with personal perception. The striking fragmentation refers to snippets of days, frozen frames that have had the strongest impact over a certain period of time, combined with a specific psychogeographical reflection on those moments.

Discontinuity, suspended or annulled time, should mark an individual's position in the current time-space dimension and the very complex social and political moment. Feelings of powerlessness and despair intertwine with plans that have not been realized; therefore, individual efforts are nullified or, at best, put on hold.

Architecture predominates as a motif in the collages, along with the deconstruction of real spaces, parts of impersonal and sterile interiors, and structures of city maps, as a commentary on the current tendency to transform urban spaces into a new, hybrid version of the ideal city, albeit distant and in motifs completely opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and project curator express an awareness of the necessity of critical reflection and active participation in current social changes.