The Diary of Discontinuity series presents multi-year daily notes in the form of classic and digital collages, video works, and glitch/gif animations - reactions to current events combined with intimate experiences of a multitude of external sensations. It is imagined as a daily discipline aimed at creating continuity in the analysis of various social phenomena intertwined with personal perception. The striking fragmentary nature refers to snippets of days, frozen frames that have left the strongest impression during a specific period, combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or nullified time, should mark an individual's position in the current time-space dimension and in a very complex social and political moment. The feeling of powerlessness and despair intertwines with plans that were not realized, thus individual efforts are either nullified or, at best, put on hold.

In the collages, architecture predominates as a motif, deconstructing real spaces, parts of faceless and sterile interiors and city map structures, as a commentary on the current tendency to transform urban space into some new, hybrid version of the ideal city, albeit distant and in motives completely opposite to the original Renaissance idea. The exhibition is a form of personal struggle and an act of resistance, through which the artist and curator of the project together express awareness of the need for critical thinking and active participation in current social changes.