The series Journal of Discontinuity presents multi-year daily notes in the form of classic and digital collages, video works and glitch/gif animations – reactions to current events combined with intimate experiences of external sensations. It is conceived as a daily discipline aimed at creating continuity in the analysis of various social phenomena infused with personal perception. The striking fragmentation refers to snippets of days, frozen frames that have made the strongest impression in a certain period of time, combined with a specific psychogeographic reflection on those moments.

Discontinuity, suspended or nullified time should mark the individual's position in the current dimension of time-space and a very complex social and political moment. The sense of helplessness and despair intertwines with plans that have not been realized, therefore individual efforts are nullified or, at best, put on hold.

In the collages, architecture prevails as a motif, deconstruction of real spaces, parts of impersonal and sterile interiors and city map structures, as a comment on the current tendency to transform urban space into a new, hybrid version of the ideal city, although distant and in motifs quite contrary to the original Renaissance idea. The exhibition is a form of personal struggle and act of resistance, through which the artist and project curator jointly express awareness of the necessity of critical thinking and active participation in current social changes.